Search: Starring James Fox

It's a slick and intoxicating vision to say the least.

I wished for Billy Wilder's spirit from The Apartment to take over the tone just a little bit.

Everything you expect from Merchant Ivory is here.

Christopher Lambert's soulful performance creates real emotion where the film might otherwise have descended into camp.

Ultimately more heart-warming and life-affirming than you would ever imagine a film centred on casual violence could be.

Overall, the film retains its power and impact.

The film never goes anywhere, never develops any conflict and never feels believable.

A heart-warming story with a dash of religion, a smidgen of romance and a lot of adventure.

The glorious sight of a flying nun, an image Korine has said was one of his inspirations for the film, is both a moving and a joyous one.

Whether you’re a fan of the company’s work specifically or simply interested in the history of cinema, this portrait of its longest-lasting partnership will delight and entertain you.

Continuous self-effacement leads to indifference.

There is a message here, concerning success, power and humiliation, but it's one that you know already.

Not so much a linear story of one man's adventures as an enquiry into the nature of performance, gender and the very structure of society.

Everything you expect happens.

The ideas are presented in a crisp, unfussy way by James Ivory. He’s working with an intelligent script by Ruth Prawer Jhabvala, and two impeccable central performances by Hopkins and Thompson.

Bogarde, proving not for the first time that he was a whole lot more than just a pretty face, brings a real subtlety and edge to Barratt, letting just enough of the Machiavellian glint through to let us know there's more to this than first appears.

Kingsley gives a chilling performance.

The acting is either terrible or terrific and the social set pieces, like the Princess's dinner party, seem positively absurd.

Watching the film, which refreshingly tells the story from Wallis's perspective, you begin to wonder what on earth Madonna was thinking when she decided to tack on a framing device involving a modern Manhattanite's abusive relationship.